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Saturday, August 22, 2026

August on Campus

 By Josie Millikan


Connecting my phone to my car's bluetooth, an old song from college starts playing automatically. Hearing the intro, I let it play.

This summer has been a rush, and I'm exhausted to the point of numbness. The sound of this old song floods my system with feeling for a second.

This week, students moved back into their dorms after a long summer break. 

Campus is full of noise again as the eighteen-year-olds, scared and running on a cocktail of forced confidence, caffeine and adrenaline, figure out the first details of their new stories.

Eight years ago, I was there, too.

When the old folks come and visit this place, they proclaim, "the campus has changed so much since I was a student in 1976!" 

What they don't realize is that it doesn't take fifty years for the campus to change. 

I've spent this summer making some of that change happen as we renovated our bookstore.

The dorm hall I lived in during my first year is modern and updated, with clean study spaces and a shiny elevator. The rooms don't have bats in them anymore, I can assume, though the basement is still as scary as it ever was.

My second-year hall received a much-needed renovation (or more accurately, gutting and rebuilding,) this year. Now they have lounge chairs in the courtyard, games and a working TV in the lobby, and ping-pong.

Our department's classrooms have doubled in size and in student body. The faculty has changed drastically from the line-up that taught my year.

As I leave the parking lot to head home for the day, I see a mother and father hugging their daughter goodbye. 

I can imagine the girl's walk back to her room from the familiarity of her parents' arms. She passes beautiful trees and unfamiliar faces, she climbs up stairs through chaotic hallways full of moving bins and into her very silent, very new little home.

My walls were scattered with pictures of my friends back home. My decorations did their best to capture my identity for this new world to see.

Over four years, my rooms changed a lot, as you might expect when one is living amongst friends for that long. 

Every new person you meet comes from a different place and has something new to show you. It's only natural that we form one another into new versions of ourselves, grown far beyond the nervous first-day kids we were for that short, feverish orientation week.

That was August 2018.

August 2026...

I have been married for almost four years now. I am expecting my first child this year. I still have the same friends.

I am a manager at the campus bookstore where I have worked a total of five of these eight years. My time there is coming to an end soon.

I feel incredibly young and yet slowly I'm feeling a little old.

My manager quotes, "We get older every year and the freshmen never age."

That must be why I'm seeing the campus this way for the first time.

In the past few years, I've run through this busy season with tunnel-vision, eyes on the finish line, just wanting work to go back to normal. 

This year, it won't. It'll slow down and then it'll be time for me to go.

As I drive home, I take the same route I took at eighteen.

I pass the same hills and fields. I've seen these valleys in mist and storm and sunset and darkness.

Coming this way back then, I'd arrive home where my family and dogs waited for me. The house looked different back then, too - even it was still growing in character.

My dogs, seven and four back then, are now fifteen and twelve. They are old men. We still call them "the boys," and they still run to greet you, though slower.

The house has held holiday parties, board game nights, plenty of visitors from out-of-state, birthdays and dinners and one huge college graduation party. 

In that first year, though, it was just me, my parents and the boys, and it was quiet, which was unusual to navigate.

Those four college years brought two sets of grandparents that moved to the state, as well as an aunt and her family, and hordes of new friends. 

The four years after have brought me marriage, a home of my own and this new life we're expecting to meet soon.

I take this same route home because my own house is only down the street from my family's. 

How can I express these things to the group of college girls I lead every day, as they navigate their own story?

They worry about their peers, their grades, their futures. When I was there, did I realize that every decision I made formed me into who I am today? 

How can I tell them that these things they worry about will fade from their memories quicker than they'll realize, and yet they'll know ultimately how important each experience was to who they'll grow to become?

That time moved so fast.

Time still moves in the same fashion.

Those four years were free, chaotic, joyful and challenging. 

Life since has been even better.

As the freshmen move in and start their new lives, scared to sit with new people in the cafeteria or finding themselves strangely content with the peace of a solo walk back to their room at night, do they also feel something deep inside of their spirit, telling them how important it all is?

They're currently reading the first page of their favorite book for the first time.

Someday they'll recall that rare feeling, as we all do.

Next semester I'll return to campus to see my bookstore girls graduate.

I'll probably talk about all of the things that have changed in only a semester.

My son will meet many people, all new to him and important to me.

My husband and I will walk the same paths we did as teenagers, with our baby in our arms.

I'll tell the girls that they're flipping the page to the really great part of their story. 




Friday, August 21, 2026

Relief in an Image


I dont think an image has brought me so much relief in such a long time. While working on the Axolodyssey comic, ive been obsessing over my line quality in inking. Trying to buffer out any possible wobbles or clunky lines. And its honestly been making the inking process harder in alot of cases. 

However, seeing this photo of a real life calvin and hobbes panel, with al its white out glory, not only put perspective into how common mistakes can be, but also how mistakes can be part of the process and medium too. 

If you notice, not only is calvins whole mouth and hand reconstructed, but it looks like hobbes hair tuffts are created purly from white out! Wow! This was the tiny revelation i needed right now, in the middle of a battle with perfection.

 

Wednesday, August 19, 2026

Tempo

By Aedan Peterson

My friend Ben Wright has a great newsletter called SixOneFive Soccer where he breaks down everything about Nashville Soccer Club. It's helped turn me into an actual soccer fan, which I didn't see coming. He and I recently discussed making a shirt for SixOneFive Soccer based on a drawing I did of the NSC mascot, Tempo the Coyote, last year:
 I wanted to change the pose a little bit to make it more readable and dynamic, which led to this:
Next, I'll be doing a final drawing from this pose, then hopefully we'll get some cool t-shirts! 

Check out https://www.sixonefivesoccer.com/ for some great Nashville soccer reporting!


Monday, August 17, 2026

Balloons Filled With Questions

Joel Guthrie

So I've been sitting on an album's worth of music for several years now. Every few months I'll think, "I'm gonna put the finishing touches on this and finally put it out," but inevitably get busy with the things that demand my more immediate attention. But I wanted to share the opening track here today. Even though it probably needs to be EQ'd or some producery thing I don't know how to do. Enjoy!

Wednesday, August 12, 2026

Mr. B

 by Aedan Peterson




A friend of mine asked me to explore some tattoo designs of a scholarly bear named Mr. B. 

I don't think he's gone through with getting the tat, but Mr. B's not worried about it. 

Thursday, August 6, 2026

Frog boys

 By Jon Densk:


    Ive been working on deving this other feature film idea ive had for a few years now called Kaeru - My Frog Brother. A retelling of the Princess and the Frog original story, way way different with some lovely miyazaki magic. However i wanted to seperate myself from ghiblis style more and went for something more geometric, and round at the same time?




    I wanted to explore Kaeru himself a little bit more so thats what ive been doing the past two days.







    And than i did some late night animating with a sinus infection last night, and things got weird.



    Anways anway, im starting to like this guy quite a bit. And i like frogs. The end.




Wednesday, August 5, 2026

Windows

 By Aedan Peterson


At the rate I'm going, my senior capstone short film (I graduated in 2021) will be finished when I'm a literally a senior. But and yet I'm determined to finish it. It's a weird process because enough years have passed since beginning that I disagree with most of the design choices now. I made an impossible character to animate and the overall style is not that interesting. Still, it would bug me my whole life if I didn't finish it since so much of the work has been done. I literally just need to animate it. Here's a long shot I'm just about to wrap up the rough animation on:



If any of you real animators have notes or critiques, feel free to share!

Monday, August 3, 2026

My Introduction to Pastel

Last summer, Madi and I visited her grandma, whose friend was quite excited to meet us. She was a pastel artist and former instructor, and learning that Madi and I were artists, was excited to watch us work with her pastels. She guided us to the attic studio, cluttered with impressive old pastel paintings. And in the center, a massive collection of pastels of every shade imaginable. She asked us what we wanted to paint. Being unhealthily obsessed with this Brian Wilson/Smile project, there was only one thing I wanted to paint. So I showed her the following image, a rather pixelated snap from the infamous Fire sessions in which Brian made all the musicians wear firemen's helmets and brought a bucket of burning wood into the studio.

Our mentor immediately set to work carefully selecting the pastels I would need to bring my vision to life. Reds, browns, and quite a bit of grey. She brought up coffee and root beer for us as Madi and I painted away, the tones of Rachmaninoff wafting from her CD player. An hour or so later, we reached a stopping point. Our mentor kindly let us keep many of the pastels we used. Not the chalky, cheap ones you get from Michael's either - these were vibrant, oily, solid. They sure confused the TSA agents, whose machines consistently mistook them for fireworks. I meant to spend a day adding finishing touches after we got back, but never really got around to it. And now the pastels seem to have disappeared. Nevertheless, I think what I came up with is more than presentable in its current stage, and I'm proud of myself for attempting a new medium.

All to say, here it is!


In other news, I am finally very nearly done with part 3 of the Smile video, which has ballooned to about 50 minutes!